Mantan Moreland
1902-09-03 ( 122 years old ) in Monroe, Louisiana, USA

Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time! Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom. Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back. In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.

Movies

Watermelon Man 1970-05-27
The Comic 1969-11-19
Spider Baby 1967-12-24
Enter Laughing 1967-02-25
The Patsy 1964-06-24
Sky Dragon 1949-04-27
The Golden Eye 1948-08-29
The Dreamer 1948-04-04
What a Guy 1948-01-01
The Trap 1946-11-30
Dark Alibi 1946-05-25
The Spider 1945-12-01
The Jade Mask 1945-01-26
Black Magic 1944-08-19
South of Dixie 1944-06-23
Pin Up Girl 1944-04-25
Swing Fever 1943-11-01
Swing Fever 1943-11-01
Melody Parade 1943-08-27
Sarong Girl 1943-06-11
Hit the Ice 1943-06-02
Girl Trouble 1942-10-09
Phantom Killer 1942-10-02
Lucky Ghost 1942-02-10
Cracked Nuts 1941-07-02
Sleepers West 1941-03-14
Four Shall Die 1940-10-15
Up in the Air 1940-09-09
Maryland 1940-07-19
On the Spot 1940-06-11
Girl in 313 1940-05-31
Viva Cisco Kid 1940-04-12
Star Dust 1940-04-06
City of Chance 1940-01-13
Irish Luck 1939-08-22
Tell No Tales 1939-06-12
One Dark Night 1939-01-02
Gang Smashers 1938-12-30
Frontier Scout 1938-09-16