Randolph Scott
1898-01-23 ( 127 years old ) in Orange County, Virginia, USA

From Wikipedia, the free encyclopedia Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it." Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with some noted directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher. Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple and Irene Dunne to Mae West and Marlene Dietrich. He also appeared with Gene Tierney, Ann Sheridan, Maureen O'Hara, Nancy Carroll, Donna Reed, Gail Russell, Margaret Sullavan, Virginia Mayo, Bebe Daniels, Carole Lombard, and Joan Bennett. Tall (6 ft. 2 in.; 188 cm), lanky, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. The BFI Companion to the Western noted: "In his earlier Westerns...the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude." During the early 1950s, Scott was a consistent box-office draw. In the annual Motion Picture Herald Top Ten Polls, he ranked tenth in 1950, eighth in 1951, and again tenth in 1952. Scott also appeared in the Quigley’s Top Ten Money Makers Poll from 1950 to 1953.

Movies

Westbound 1959-04-25
Ride Lonesome 1959-02-01
The Tall T 1957-04-02
7th Cavalry 1956-12-01
Rage at Dawn 1955-03-26
Ten Wanted Men 1955-02-01
Riding Shotgun 1954-04-01
Three Lives 1953-09-17
Hangman's Knot 1952-11-15
Carson City 1952-06-13
Starlift 1951-12-14
Fort Worth 1951-07-14
Santa Fe 1951-04-01
Sugarfoot 1951-02-11
Colt .45 1950-05-27
The Nevadan 1950-01-11
Coroner Creek 1948-07-01
Albuquerque 1948-02-20
Christmas Eve 1947-10-31
Gunfighters 1947-07-15
Trail Street 1947-02-19
Abilene Town 1946-01-11
Captain Kidd 1945-11-22
China Sky 1945-05-16
Gung Ho! 1943-12-20
Corvette K-225 1943-09-29
Bombardier 1943-05-14
Pittsburgh 1942-12-11
The Spoilers 1942-06-11
Paris Calling 1941-12-04
Belle Starr 1941-09-12
Western Union 1941-02-21
Virginia City 1940-03-23
Coast Guard 1939-08-04
Jesse James 1939-01-14
The Texans 1938-08-12
She 1935-07-12
Village Tale 1935-06-15
Roberta 1935-03-07
Wagon Wheels 1934-09-15
Broken Dreams 1933-10-19
Cocktail Hour 1933-06-05
Sunset Pass 1933-05-26
Supernatural 1933-04-21
Hot Saturday 1932-10-28
Sky Bride 1932-04-19
Born Reckless 1930-05-11
Dynamite 1929-12-13
Half Marriage 1929-10-12
The Far Call 1929-04-28
Why Be Good? 1929-02-28
Weary River 1929-02-10
Sharp Shooters 1928-01-15